18 January 2016

Child of the Moon (take 2)

{Sketchbook page of the final page layout}

It started with last year's submission to the Sketchbook Project. That book felt like a rough draft of something bigger. I wanted to combine sketches, images of the moon, lyrics from the 1968 Rolling Stones song "Child of the Moon," and prints into a process book of sorts for the series of circle woodblocks I have been working on for the last few years.

This summer I changed the format to a square and sourced some new images of the moon from a NASA publication, but the book was still lacking something. So I put the project aside for a while.


{pages 4-5} a vellum overlay of a horizon diagram from Bruno Munari's "The Circle" (1964)

{pages 6-7} A spread with one of the cropped pages featured original prints, and images from a 1970 NASA publication.

When I began working on it again, I decided to use the mechanical wire binding to my advantage. I included vellum overlays with scientific and philosophical diagrams, I inserted cropped pages to reveal and obscure content, and I decided to include more original prints. The result was much more dynamic than the first two "drafts" and felt like an authentic process book that reflected the ideas I was interested in.

{pages 10-11} a vellum overlay of a late 16th century astronomical diagram


Child of the Moon
photocopies, ephemera, woodblock prints
22 pages, mechanically wirebound with linen hardcover
14.5 x 7.25" opened
unique edition
(copyright K. Castelli 2015)



18 December 2015

Evolving


Happy 72nd Birthday to Keith Richards... 
As he says at every concert, "It's good to be here, it's good to be anywhere." So play some Rolling Stones today and toast the man who will probably outlive us all.

15 December 2015

From the archives...


I recently rediscovered this print from 2013-- it's a variation on some prints ("The Hard Way" and "The Known Universe") that were included in my MFA thesis show. But this particular one has never seen the light of day. Reminds me of a venn diagram, and there is something intriguing about the overlapping of the circles.

Untitled
woodblocks on Japanese paper
16x12" edition of 4
2013

20 November 2015

Big Red and Shiny Review


"Kate Castelli’s small, meditative canvases (Not a Circle II, III, and Ochre Alphabet, 2015) are exercises in mark making, with a watercolor gradation of tally-lines that recall Paul Klee and Lee Ufan."

Thrilled to be featured in the Big Red and Shiny review of the Boston Center for the Arts 24th Biennial Drawing Show.

You can read the entire article here!